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8 Comments

Kagat

23.10.2019 at 10:12 pm
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Second, Coleman takes on a couple of tunes Getz had so recently recorded definitive jazz bossa versions of ("Desafinado" and "One Note Samba"), and the rest of the repetoire is familiar bossa fare (except the standard "I Remember You" and a couple of originals written for the album). I agree with Yanow that "O Pato" is particularly strong here/5(10).

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